About me
3rd PigHouse, Founder.
Last Positions: Invillia, Head of Creative Marketing // DDB, Chief Creative Officer.
Concept, creativity & technology. 27 years of experience in creative departments of large agencies, leading international global brands. I am known for being a multidisciplinary professional, working on a variety of business models during my career: offline, branding, digital, brand experience & activation, and marketing.
I’m passionate about challenges and skilled at setting up creative teams for business formation and expansion in a short period. When I think of a team, I strongly believe in diversity: people from different cultures, different genres, and skills form the best equation for the best ideas. I enjoy working hands-on with all departments and I have extensive experience in creating concepts that last a lifetime. This, coupled with a wealth of experience in storytelling, makes me a highly competent structure of ideas.
I’m an early adopter and opinion leader when it comes to innovation. I believe in technology as a religion and put my full energy into startups and ideas that positively change people's lives. Many of my projects combine technology and creativity and I believe that this is the new way to communicate in the coming years.
As a screenwriter, I wrote 4 short films and I have 5 more projects under development including series, movies, and a play. I have 9 awards. As a photographer, I am a collaborator of GettyImages Latam and Unsplash - with a milestone of 5 million views on my photos - and 9 times awarded in the FWA. As an author, I wrote a book called "Traumas and other things that do not go out in the Bath", by RSC Publisher.
RECENT AWARDS & HONORS
// CANNES Bronze Pharma Cinematography (PFIZER - Beautiful Dreamer) - 2021
// CANNES Shortlis Pharma Use of Music (PFIZER - Beautiful Dreamer) - 2021
// CANNES Bronze Health (HABITAT FOR HUMANITY - The Dissolving Poster) - 2018
// CANNES Silver PR (Woman Interrupted App) - 2017
// CANNES Shortlist Innovation (HABITAT FOR HUMANITY - The Dissolving Poster) - 2018
// CANNES Shortlist Sustainable (HABITAT FOR HUMANITY - The Dissolving Poster) - 2018
// CANNES Shortlist Health (DERMODEX - The UnPhotographed Album) - 2018
// CANNES Shortlist Health (HABITAT FOR HUMANITY - The Dissolving Poster) - 2018
// CANNES Shortlist Glass (Woman Interrupted App) - 2017
// CANNES Shortlist Mobile (Woman Interrupted App) - 2017
// CANNES Shortlist Promo (Woman Interrupted App) - 2017
// CANNES Shortlist Radio (Woman Interrupted App) - 2017
// ONU Mujeres Finalist (Woman interrupted) - 2017
// D&AD Impact Finalist (Woman Interrupted) - 2018
// LONDON INTERNATIONAL AWARDS Bronze Health (PFIZER - Beautiful Dreamer) - 2019
// LONDON INTERNATIONAL AWARDS Finalist Film Craft (PFIZER - Beautiful Dreamer) - 2019
// THE GLOBAL AWARDS Grand Prix Good Global Award (HABITAT FOR HUMANITY - The Dissolving Poster) // 2019
// THE GLOBAL AWARDS Gold Out of Home (HABITAT FOR HUMANITY - The Dissolving Poster) // 2019
// THE GLOBAL AWARDS Silver Cinematography (PFIZER - Beautiful Dreamer) - 2019
// THE GLOBAL AWARDS Silver Film Direction (PFIZER - Beautiful Dreamer) - 2019
// THE GLOBAL AWARDS Finalist Script (PFIZER - Beautiful Dreamer) - 2019
// THE GLOBAL AWARDS Finalist Short Form (PFIZER - Beautiful Dreamer) - 2019
// EFFIE AWARDS Bronze (Burger King) - 2020
// EFFIE AWARDS Silver (Jequiti Beauty) - 2018
// THE NEW YORK FESTIVALS 1st Prize Outdoor Best of Use (HABITAT FOR HUMANITY - The Dissolving Poster) // 2019
// THE NEW YORK FESTIVALS 2nd Prize Positive World Impact / Public Service (HABITAT FOR HUMANITY - The Dissolving Poster) // 2019
// THE NEW YORK FESTIVALS 3rd PrizeAvant-Garde Innovative (HABITAT FOR HUMANITY - The Dissolving Poster) // 2019
// THE ONE SHOW AWARDS Merit Innovation Health & Wellness (HABITAT FOR HUMANITY - The Dissolving Poster) // 2019
// THE ONE SHOW AWARDS Merit OOH Health & Wellness (HABITAT FOR HUMANITY - The Dissolving Poster) // 2019
// NEW YORK FESTIVALS Finalist Digital / Interactive Public Service Announcements & Communications (Woman Interrupted App) - 2018
// CLIO AWARDS Gold OOH Health & Wellness (HABITAT FOR HUMANITY - The Dissolving Poster) - 2018
// CLIO AWARDS Shortlist Film (PFIZER - Beautiful Dreamer) - 2019
// CLIO HEALTH AWARDS Silver Cinematography (PFIZER - Beautiful Dreamer) - 2019
// CLIO HEALTH AWARDS Silver Film Direction (PFIZER - Beautiful Dreamer) - 2019
// CLIO HEALTH AWARDS Bronze Short Form (PFIZER - Beautiful Dreamer) - 2019
// El OJO Gold Media Strategy (Burger King - Diamond Whopper) - 2020
// El OJO Silver Promotional Marketing (Burger King - Diamonde Whopper) - 2020
// El OJO Gold +Women Creator (Libbs - Voices of Silence) - 2020
// El OJO Bronze Influencers & Co-creation (Libbs - Voices of Silence) - 2020
// EL OJO Silver Integral Production (PFIZER - Beautiful Dreamer) - 2019
// EL OJO Silver Film Direction (PFIZER - Beautiful Dreamer) - 2019
// EL OJO Bronze Photography (PFIZER - Beautiful Dreamer) - 2019
// EL OJO Shortlist Art Direction (PFIZER - Beautiful Dreamer) - 2019
// El OJO Silver OOH Innovation (HABITAT FOR HUMANITY - The Dissolving Poster) - 2018
// El OJO Silver Environment & Sustainability (HABITAT FOR HUMANITY - The Dissolving Poster) - 2018
// EPICA AWARDS Gold Public Interest – Health & Safety (HABITAT FOR HUMANITY - The Dissolving Poster) - 2018
// AD STARS Shortlist Film (DERMODEX - The UnPhotographed Album) - 2018
// AD STARS Shortlist Design (DERMODEX - The UnPhotographed Album) - 2018
// AD STARS Shortlist Media (DERMODEX - The UnPhotographed Album) - 2018
// AD STARS Shortlist Print (DERMODEX - The UnPhotographed Album) - 2018
// BRAZIL CREATIVE CLUB (CCSP) Shortlist Film Direction (PFIZER - Beautiful Dreamer) - 2020
// BRAZIL CREATIVE CLUB (CCSP) Shortlist Art Direction (PFIZER - Beautiful Dreamer) - 2020
// BRAZIL CREATIVE CLUB (CCSP) Shortlist Photography (PFIZER - Beautiful Dreamer) - 2020
// BRAZIL CREATIVE CLUB (CCSP) Shortlist Design (VANISH WHITE - No Stain Sauces) - 2018
// BRAZIL CREATIVE CLUB (CCSP) Shortlist Direct (JONTEX - Edible Candy Wrapper) - 2018
// BRAZIL CREATIVE CLUB (CCSP) SIlver Direct (DERMODEX - The UnPhotographed Album) - 2018
// BRAZIL CREATIVE CLUB (CCSP) In-Book Branded Content (DERMODEX - The UnPhotographed Album) - 2018
// New York Festivals Global Awards Grand Jury - 2018
// Lürzer's Archive Book 3 (Woman Interrupted App) - 2017
// TEDx São Paulo Brazil Official Selection (For the Right of the Full Speak Woman Interrupted App) - 2017
AS A SPEAKER
// GLOBAL CUSTOMER ENGAGEMENT FORUM & AWARDS Speaker (COVID-19 & AFTER) - 2020
// CANNES WINNERS Speaker (ONLINE, ONLIVE, ONLIFE.) - 2018
// CANNES WINNERS 2017 Speaker (THE POWER OF “NO”.) - 2017
AS A SCREENWRITER
// CEARÁ IBERO AMERICAN FILM FESTIVAL, BRAZIL Best Original Script (Last one flight) - 2013
// KOLKATA INTERNATIONAL FILM FESTIVAL, INDIA Best Film (Satúrnica) - 2014
// SAN SEBASTIAN FILM FESTIVAL, MEXICO Great Award (Satúrnica) - 2014
// SAN LUIS POTOSI INTERNATIONAL FILME FESTIVAL, MEXICO Best International Film (Satúrnica) - 2014
// DELHI INTERNATIONAL FILM FESTIVAL Honor Film Award (Satúrnica) - 2013
// LOS ANGELES CINEFEST, USA Official Selection (A piece of you) - 2015
// NEW YORK FILM WEEK, USA Official Selection (A piece of you) - 2015
// MOVE ME SHORTFILM FESTIVAL, BELGIUM Official Selection (A piece of you) - 2015
AS A PHOTOGRAPHER
// GETTYIMAGES LATAM Collaborator - 2010
// Unsplash Collaborator - 2019
// MUBE MUSEUM Introducing Brazil to Flickr One of the 28 selected photographers - 2008
// FWA Photo of the day (Canons & Canon) - 2015
// FWA Photo of the day (China Walkers) - 2015
// FWA Photo of the day (Dancing Butterfly) - 2012
// FWA Photo of the day (Hungry Capital) - 2012
// FWA Photo of the day (Naked Death) - 2012
// FWA Photo of the day (Sharpen Nightmares) - 2010
// FWA Photo of the day (Mad Sexy Wishes) - 2009
// FWA Photo of the day (Sea Ways) - 2007
// FWA Photo of the day (A fish to my dragon) - 2005
AS A BOOK AUTHOR
// TRAUMAS AND OTHER THINGS THAT DO NOT GO OUT IN THE BATH RCS Publishing
SOME CLIENTS
Automotive // Mitsubishi Motors, Peugeot, Citroën
Tech Companies // Samsung, Sony, Invillia
Telecom // Claro, Telefonica, NET
Foods&Drinks // Pepsico, Hershey’s, Gruppo Campari, Parmalat
Cosmetics // L’Oréal, Gillette, Jequiti
CPG // Reckitt Benckiser, Unilever, Pão de Açúcar
Health // Reckitt Benckiser, Smithkline Beecham
Fashion // Hering, Arezzo
Financial Companies // Itaú, Bradesco, American Express
EDUCATION & TRAINING
// ESPM RIO - Advertising & Marketing
// ROBERT MCKEE - Screenwriting
// B_ARCO - Screenwriting
LANGUAGES SPOKEN
// PORTUGUESE - Native
// ENGLISH - Professional
SPECIAL SKILLS
// ARTIFICIAL INTELLIGENCE PROFICIENCE
ChatGPT, MidJourney, Krea, Runway, Magnific, Pika, HeyGen, Firefly, Kaiber, D-ID, Zeebra, Descript, Riverside.
WORK EXPERIENCE
Marketing
2020-PRESENT
Head of Creative Marketing - Invillia
Invillia is one of the largest tech companies in Brazil, having worked alongside major global game changers for 20 years. My role is to undertake a significant image overhaul, participating in communication strategy, transforming its brand ID, and creating major campaigns for its two main audiences: developers and tech leaders.
A New Creative
Methodology
2020-PRESENT
Founder - 3rd PigHouse
Not an agency. Not a consulting company. It's a simple creative business model & methodology.® Check it out: www.3rdpighouse.com
Shopper
Experience
2019-2020
Chief Creative Officer - TracyLocke Brazil DDB
TracyLocke is a brand new agency in Brazil and born with huge accounts as Heineken, Diageo, Burger King, Jhonson &Jhonson, Pfizer, Libbs, Sanofi, Claro, Etna, JHSF, and Itaú. My role was to transform TracyLocke into a powerful creative house and we achieved more than 15 international awards, 01 Effie Brazil - Bronze, Ampro Globes Awards - Grand Prix, and Agency of the Year.
Full
Service
2015-2018
Executive Creative Director - BETC (Havas Group)
2015. BETC had just opened a branch office in Brazil and I was already a fan of the work they did in France. As Creative Director, my first job was the Peugeot pitch, and after that victory and a few others, I saw the agency grow from 25 to 105 people in 1 year. My team consisted of 30 creative staff and we worked for Peugeot, Parmalat, Hering, and Pão de Açúcar. A year ago, BETC joined HAVAS, becoming a single agency. I was promoted to Executive Creative Director, leading a team of about 50 creative guys and working, in addition to the previous accounts, for Citroën, Parmalat, Reckitt Benckiser, PepsiCo, among others.
Live
Marketing
2012-2015
Creative Director - Tudo (Omnicom Group)
In 2012, I was invited to work at Tudo, an Omnicom Group agency, as a Creative Director. After a few years working with digital, I started to be very interested in the "internet of things". This wasn’t a “trend topic” in 2012, but I wanted to make creativity and technology one single thing. A great example of this was the "Heart Bell", made for Banco Itaú during the World Cup season.
Digital
2004-2012
Creative Director - LOV (Dentsu Group), One Digital (Publicis Group), Fbiz (WPP Group)
In 2004, Brazil was starting its digital movement with the launch of Google in the USA. I realized that this movement would change communication forever and then I decided to move to São Paulo.
LOV (Dentsu Group) was my first entirely online agency. In addition, it was also the first time I held a leadership position in a creative team. I worked for Mitsubishi Motors, TAM Airlines, Sony Electronics, and NET (the biggest Cable TV company in Brazil).
My second step was One Digital (Publicis Group). It was my first job as a Creative Director, leading a team of 20 creative guys and working for Samsung, American Express, and Bradesco (one of the most powerful financial institutions in Brazil).
Then, I was invited by Fbiz and that was a great challenge. They were known for being a digital production company and our job was to turn it into an advertising agency. My first job was a pitch for Itaú (a large bank in Brazil) and the accounts of more than 15 Unilever products (Omo, Close-up, Hellman's, etc), the whole Gruppo Campari (Campari, Aperol, SKYY Vodka, etc) and Pepsico. In just 2 years, the agency was bought by the WPP group, becoming one of the largest online agencies in the country.
Branding
2003-2004
Head of copy - GAD Design
In 2003, I left Script Communication and the “offline world” to dedicate my time to the launch of Claro, one of the main telecommunication companies in Brazil. At GAD Design, my responsibility was to coordinate the naming studies and the brand’s entire communication language with the market and the consumer.
Offline
1996-2003
Copywriter - McCann Erickson, Z+G Grey, Script Communication
I started my career in 1996 as a Copywriter at McCann Erickson Rio, working for accounts such as L'Oréal, Esso (Exxon), Gillette, and MEC (Brazil Ministry of Education). I was then invited to join the team at Z+G Grey, where I worked with Smithkline Beecham, Levi’s, Furnas, and CSN. After a few awards, I became part of the creative group at Script Communication, creating for Repsol, Iguatemi Shopping, and Lance Daily Sports, among others.
THANKS FOR YOUR VISIT